Othello, By William Shakespeare Essay - 1659 Words

Critics have debated the significance of Othello’s race in terms of portraying his identity for a long time. The negative connotations of â€Å"blackness† have led to the creation of many racial constructs associated with the â€Å"Moor†; this denigration has infused the opinions of many critics, such as Albert Gerard, proposing that Othello’s â€Å"negroid physiognomy† reaches down to the â€Å"deepest levels of personality† and that he is a â€Å"barbarian†. However, many other critics like Edward Berry and Martin Orkin believe that colour is merely a â€Å"surface indicator† compared to the outward virtue of beneficence, defining identity. Beneficence could be defined by the will to practice good acts, in conjunction with the aversion of practicing evil, and the prevention and removal of evil. In this essay, I will argue that Othello has the ability to transcend the racial infused â€Å"Moor† stereotype to become an individual with an inherent will to do good deeds and extinguish evil. Critical works from Albert Gerard (1957), Edward Berry (1990), and Martin Orkin (1987) will be cited as evidence for this. Albert Gerard proclaims that Othello’s â€Å"fundamental barbarousnous† is made clear by his â€Å"superficial acceptance of Christianity† which hides his â€Å"fundamental paganism†. He accuses Othello of his lack of intellectual power blaming him for his own â€Å"eternal damnation†, and undermines the decisions which he makes. In doing this, Gerard studies Othello as a character whose â€Å"innate savagery† is disguised byShow MoreRelatedOthello, By William Shakespeare957 Words   |  4 Pagesinnocent person kills himself while not knowing the truth. The best example of that would be the play Othello by the great William Shakespeare. As little as a handkerchief could make a difference if it is a symbol for something. In the play Othello by Shakespeare, handkerchief is first introduced by Othello to his beautiful mistress, Desdemona, as a sign of their love. At the end of the play what gets Othello to take extreme measures by the location of the handkerchief. As the symbol of the handkerchiefRead MoreOthello, By William Shakespeare1599 Words   |  7 Pages William Shakespeare’s 16th century play Othello is a duplicitous and fraudulent tale set alternatingly between Venice in act 1, and the island of Cyprus thereafter. The play follows the scandalous marriage between protagonist Othello, a Christian moore and the general of the army of Venice, and Desdemona, a respected and intelligent woman who also happens to be the daughter of the Venetian Senator Brabantio. Shakespeare undoubtedly positions the marriage to be viewed as heroic and noble, despiteRead MoreOthello, By William Shakespeare1218 Words   |  5 PagesIn a historical time period where emphasis was shifting from religion to race and ethnicity, key indicators of differences that perpetuated into racial prejudice and racial ideologies are evident in Othello by William Shakespeare. Although racism was not fully formed at this moment in history, Othello can be interpreted as a representation and an exploration of this shift in ideology. In the past, before this change to ward racial differences, religion was the major segretory factor in signifyingRead MoreOthello, By William Shakespeare894 Words   |  4 Pagesthose that which occurred in Othello written by William Shakespeare. Throughout the play Othello, we see the struggles of a marriage that is not accepted by their society. Othello is a extremely cherished black general living in a primarily white community. The play begins with Othello secretly becoming married to a white woman named Desdemona. This reasons others who are white to become angry and excuse to dislike this black man further more than they already do. Othello is a downward spiral from loveRead MoreOthello by William Shakespeare790 Words   |  3 PagesThroughout Othello by William Shakespeare, Othello makes numerous poor decisions due to his jealousy. Hitting Desdemona, trusting Iago, and killing Desdemona are among a few of the poor decisions that he makes. The word jealous can be defined as feeling or showing suspicion of som eones unfaithfulness in a relationship. Othello feels suspicious of Desdemona’s and Cassio’s relationship because of the lies that Iago tells him. Many people try to tell Othello the truth but he only believes the wordsRead MoreOthello, By William Shakespeare1923 Words   |  8 Pagesdissatisfaction or complication is shown. Firstly in Othello love is presented as ephemeral and transient while atonement love is presented as unrequited and finally in cat on a hot tin roof love is presented as painful and troublesome due to unreciprocated feelings. The tragic plot of Othello hinges on the potential of the villain, Iago, to deceive other characters, above all Roderigo and Othello, through encouraging them to misinterpret what they see. Othello is prone to Iago s ploys seeing that he himselfRead MoreOthello, By William Shakespeare941 Words   |  4 Pageswas Williams Shakespeare’s play Othello which depicts the tragedy of Othello, a Morris Captain. What is different about Shakespeare play is that the tragic hero is the black Othello and the villain a white Iago. Therefore, Shakespeare depiction of Othello as a tragic character and Iago as a villain, challenges Elizabethan’s stereotypes regarding individuals of African descent. Shakespeare challenges the stereotypical â€Å"type –casting of the black man† in Elizabethan society by depicting Othello asRead MoreOthello, By William Shakespeare1152 Words   |  5 Pages‘Othello’ was a tragedy of incomprehension at the deepest level of human dealings as no one in the play came to an understanding of himself or any of the surrounding characters. The play ‘Othello’ by William Shakespeare focused on tragedy through the anguish of the main character ‘Othello’ which lead to the suffering and death of numerous characters including himself. Appearance Vs. Reality challenged human dealings within the play ‘Othello’ as no-one came to see anyone’s true self and no-one seesRead MoreOthello, By William Shakespeare1178 Words   |  5 Pagesprofitable in condition of good and immorality. Othello is presented as good and Iago as evil, but Iago and Othello’s relationship also shares a distrust of their wives. The overall logical argument is based on love, jealousy and betrayal between two lovers that ultimately leads to their separation because of Iago’s evil plan. I am using this article to agree with Berry s view on how Iago separates two lovers just so he can take retaliation on Othello by manipulating everyone to unmasking their trueRead MoreOthello, By William Shakespeare1140 Words   |  5 Pagesâ€Å"Othello† is a play written by William Shakespeare in 1603. In this play, Shakespeare features three major characters: Othello, Iago, and Desdemona. Othello, a black man, and Desdemona, a white venetian secretly eloped in the play. Iago shows racism and prejudice towards their relationship because of their skin colors. In the play, Iago says: â€Å"Even now, now, very now, an old black ram is tupping your white ewe. Arise, arise! Awake the snorting citizens with the bell, or else the devil will make a

A Career in Biomedical Engineering Essay - 1879 Words

Many great inventions have been made through research in biomedical engineering, for example, genetic engineering, cloning, and insulin. After insulin has been invented, there are still a lot of problems with the purity and the quantity of the insulin produced. Biomedical engineering devised a way to produce large quantities of insulin with a higher level of purity, which has saved a lot of human lives. Although biomedical engineering just been officially founded 200 years ago, its practice has been with us for centuries. According to The Whitaker Foundation website, 3,000-year-old mummy from Thebes, which uncovered by German archeologists, with a wooden prosthetic tied to its foot to serve as a big toe is the oldest known limb prosthesis†¦show more content†¦Along with the demand for more sophisticated medical equipment and procedures, an increased concern for cost-effectiveness will boost demand for biomedical engineers. Many biomedical engineers, particularly those employ ed in research laboratories, need a graduate degree and for them to be able to do a higher level research even master degree is needed. Some jobs that apply biomedical engineering in their career are biological scientists, environmental scientists, chemist scientists, and engineering technicians. Biological, environmental, and chemist scientists will apply their skills by doing a lot of research in the laboratory. Engineering technicians do a lot of work repairing medical tools that will be used in the hospital.Show MoreRelatedOverview of Biomedical Engineering as a Career Path1805 Words   |  8 Pagesyour life.† (Confucius) According to the Whitaker Foundation, biomedical engineering has existed for centuries, perhaps even thousands of years. â€Å"In 1816, modesty prevented French physician Rene Laennec from placing his ear next to a young woman’s bare chest, so he rolled up a newspaper and listened through it, triggering the idea for his invention that led to toda y’s ubiquitous stethoscope.†(The Whitaker Foundation). â€Å"Biomedical engineering achievements range from early devices, such as crutches, platformRead MoreA Research On Biomedical Engineering1585 Words   |  7 Pagescolleges had to offer, eventually stumbling upon biomedical engineering. Initially, I knew very little about the field, assuming they mostly worked with prosthetics. However, as I did more research into the major, I learned biomedical engineers create devices beyond prosthetics, such as machines to replace a working heart or more efficient medical equipment. This major also allowed for the flexibility of attending medical school, another career aspiration I have had since I was little. So withoutRead MoreCollege And Career Research Essay1158 Words   |  5 PagesCollege and Career Research Essay By, Darien Carson The future; after high school, after college, the future is a later time period that will happen in one’s life. For my future I plan to attend college and later become an engineer. College is one of the best choices available for high school graduates to ensure a successful future. Colleges offer specialized learning that when attended can open many opportunities. Two colleges I may attend after high school are Massachusetts Institute of TechnologyRead MoreMy Life Concept Project Report923 Words   |  4 PagesThe intention of this proposal is to explore the proposed topic of my Whole Life Concept project report. My proposed passion, how I will turn that passion into a career, the goals and impacts I aspire to achieve in that career and the research, education and skills required to confirm my passion and achieve my intended career will all be explored. My passion is the physical structures and mechanics of the body; I am fascinated with how the body moves, the structures that support it, the joints thatRead MoreHow Technology Will Affect Future Jobs Essay1017 Words   |  5 Pagestechnology has also affected them in various ways. From entertainment to education, technology has designed a generation that could never have been before imagined. But technology has not stopped there; it also has affected their future. From what careers they will pursue to how much they will earn, technology will play a big role. With the rise of new machines and equipment, thousands of jobs will be created that will range from ones that involve handling the machinery to ones that cannot be doneRead MoreMy Statement Of Purpose: Biomedical Engineering703 Words   |  3 Pagesmore interested in pursuing an advanced degree in Biomedical Engineering. My well-rounded educational pursuits thus far have served me well, engineering complimented by a sound back ground in the humanities and hard sciences. I have, though, a robust passion to learn more, to hone my skills even more in a field that has simply exploded over the past decade biomedical engineering. For me, the excitement of the field is that biomedical engineering has only recently become its own discipline, and yetRead MoreDr. Stevin Gehrkes Lab1073 Words   |  5 Pagesas a student at the University of Kansas, I immediately took an interest in numerous extracurricular activities and organizations. I have established myself as a leader in multiple organizations, including my role as vice president in the Biomedical Engineering Society at KU. These organizations have provided fantastic experiences, but I found myself needing more. I found enjoyment and success in my classes, but I was eager to apply my knowledge. I sought out positions in various research groupsRead MoreFirst Innovative Leadership Academy For Young Women Leaders1280 Words   |  6 PagesI started doing most of my career research early on in my middle school and high school years. I was lucky enough to be selected among the hundreds of fifth graders and sixth graders that applied to go to the first innovative leadership academy for young women leaders. A middle school in the early 2000’s which was previously Porter Middle School to most austinites, was renovated in summer of 2007 founded and named after the late great female governor of texas Ann Richards. In a summer camp leadingRead MoreStudent Application Essay1742 Words   |  7 Pageseducation are important for success in all kinds of careers. These experiences and realizations led me to a career at a small liberal arts school where teaching, research, and mentoring are all highly valued. Throughout my careers, I have initiated and led teams of as many as three interns in research projects. I am primary or co-author of five peer-reviewed research papers and have presented at more than ten major conferences in the field of biomedical sciences, including International Society of StemRead MoreThe Impact of Computer Science on Health Care Medicine1283 Words   |  6 Pagesprocessing were created in the 1940s, medicine directe d its route on the fast track and its developments merged with the innovations of technology to form new biological and technological insights, particularly in the field of bioinformatics and biomedical engineering. Bioinformatics is the field of science in which biology, computer science, and technology merge, generally in the field of genetics, to allow the discovery of biological information; it was created by  Paulien Hogeweg  and Ben Hesper in 1978

The Forbidden Game The Kill Chapter 5 Free Essays

All the bottles looked old. They were brown, dark blue, green, even pink, and they bore imprints like AVEN HOBOKEN CO. and PEARSON’S SODA WORKS. We will write a custom essay sample on The Forbidden Game: The Kill Chapter 5 or any similar topic only for you Order Now â€Å"Very authentic,† she said. â€Å"I didn’t think Joyland took so much trouble.† The others exchanged glances, but said nothing. â€Å"We’d better keep looking,† Jenny added. They passed another trapped miner, this one with thousands of small black ants crawling over his face. Jenny was liking the figures less and less-the feeling that they might start moving at any minute was almost unbearable. They passed strange waterfalls where purple water flowed like glass down broad steps of rock into a colored pool. â€Å"There!† Dee said as they rounded a corner. â€Å"Picks!† Miners were standing around a stream, leaning on shovels or holding pickaxes. Several had Bowie knives or pistols thrust through their belts. Dee was already boosting herself up into the scene. â€Å"Look at this, it’s great!† It was a tool with a wooden handle as long as a yardstick and an iron head. Neither side of the head was very sharp. One ended in a sort of blunt spike as long as Jenny’s little finger; the other was flat and triangular. For scooping? Jenny wondered. Dee was moving the tool up and down, trying to get it out of the miner’s loose grasp. The miner, hat brim drooping wearily, stood impassive. â€Å"Here’s one I like,† Audrey said grimly. She’d found a pick that was sharp on both sides. Dee shook her head. â€Å"Too flimsy. See how the head’s just tied on to the handle with rawhide? It might not hold.† She succeeded in prying the tall pick loose and held it up triumphantly. â€Å"Now this is a weapon.† Michael was holding up an iron forklike thing with six heavy, curved tines. â€Å"Nightmare on Elm Street,† he said. Jenny put the Swiss Army knife in her pocket, gripped her flashlight in her teeth, and wrestled free a tool of her own. It had a short wooden handle and an iron head with a five-inch-long projection. She couldn’t tell if it was a hammer or a pick, but it felt good in her hand, and she swung it once or twice for practice. That was why she wasn’t sure if the ground really moved a moment later, or if she was just off balance. She stopped swinging. â€Å"Did anybody feel that?† Dee was looking at the platform they were all standing on. â€Å"I don’t think this thing is too stable.† â€Å"I didn’t feel anything,† Michael said. Jenny felt a flicker of apprehension. Maybe it was just the platform-or maybe she was just dizzy-but she thought it was time to get out of there. â€Å"Let’s go back.† â€Å"You got it, Sunshine,† Dee said, swinging the pick onto her shoulder. They all scrambled down, knocking ornamental gravel onto the track with a sound like popcorn in a pan. â€Å"Follow the yellow brick road,† Michael said, waving his flashlight beam along the track. And we can’t get lost, Jenny completed the thought in her mind. We can’t. We’ll be fine. So why did she have a cold knot in her stomach? Michael, at the front, was now humming â€Å"I’ve been working on the railroad.† Suddenly his flashlight stopped swinging. â€Å"Hey. What the-hey!† Jenny sucked in her breath, feeling her chest tighten even as she pushed her way past Audrey. Michael was sputtering indignantly, staring down at his feet. Jenny saw the problem immediately. The railroad tracks split. â€Å"Did they do this before?† Jenny swept her flashlight beam first one way, then the other. Both sides were the same: metal rails laid over thick wooden boards. But they went in different directions. â€Å"No. They never split. I would have noticed,† Dee said positively. Audrey let her pick down with a solid thump. â€Å"But it wouldn’t have looked like a split from our direction. It would have been two tracks joining.† â€Å"Splitting, joining, it doesn’t matter. I’d have noticed.† â€Å"But it would have been behind us. In the dark-â€Å" â€Å"I would have noticed!† â€Å"Hey, guys, guys-† Michael began, making the time-out sign with his fork and flashlight. It was completely ineffectual. â€Å"Guys-â€Å" â€Å"I am not a guy,† Audrey snapped and turned back on Dee. It didn’t matter what the argument was about anymore, it was turning into another Dee-Audrey jihad. â€Å"Oh, fine, yell at me, too-† Michael began. â€Å"Shut the hell up-all of you!† Jenny shouted. Startled, everyone shut up. â€Å"Are you people crazy? We don’t have time to argue. We don’t have time for anything. Maybe the track split before and maybe it didn’t, but we came up by that wall.† She pointed to her right. â€Å"We’ll go that way and it should take us out.† Except, she thought, that nothing is what it should be when Julian’s involved. And that tremor she’d felt before-maybe the ground really had moved. The others, looking as if a summer thunderstorm had come and gone in their midst, meekly set out in the direction she’d indicated. But Dee said quietly, â€Å"If we are going the right way, we should see that miner with the ants all over him pretty soon.† They didn’t. The knot in Jenny’s stomach pulled tighter and tighter. The right-hand wall was blank-and it seemed to be closing in. This place was looking less like a tunnel for a train ride and more like a real mine shaft all the time. It was almost a relief to finally run into the proof. She rounded a slight curve and saw an ore car sitting squarely on the track in front of her. A real ore car-at least as far as Jenny could tell. It was four or five feet long with rounded corners and solid wheels set close together under its center. It smelled like rusty iron-like a witch’s cauldron, Jenny thought-and echoed slightly when she spoke while bending over it. â€Å"This isn’t part of the ride,† she said. â€Å"It would be stupid of a park to leave it here,† Dee said and tried to pull it by the hitch in front. It clanged, but didn’t move far. Jenny had a wild impulse to jump into it and stay there. She looked up slowly at the others. Michael’s flashlight lit up Audrey’s hair from behind, giving her a copper halo. Dee was just a slim black shadow at Jenny’s side. Jenny didn’t need to see their faces to know what they were feeling. â€Å"Okay, so we’re in trouble,† she said. â€Å"We should have known, really. So whose nightmare is this?† The slim black shadow showed a glimmer of white teeth. â€Å"Mine, I guess. I’m not in love with enclosed spaces.† Jenny was surprised. The last time they’d been down in a cavern, she hadn’t noticed Dee having any problems-but then, the last time her attention had been focused pretty exclusively on Audrey. â€Å"I’m just a little claustrophobic. I mean, I don’t remember having any dreams about this kind of thing. But†-Dee let out a breath-â€Å"I guess if you asked me what’s the worst way to die, I’d have to say a cave-in would rank right up there.† â€Å"God, do we have to worry about that? Horrible ways to die?† Michael exploded. â€Å"I could fill a book.† â€Å"What am I most afraid of, I wonder?† Audrey said, rather emotionlessly. â€Å"Pain? A lot of pain?† Jenny didn’t want to think about it. â€Å"We’ve got to go back and follow the tracks the other way. It’s our only chance.† They were headed deeper into the mine now. The hammer bounced bruisingly on Jenny’s shoulder. Since they were retracing their steps, the shaft should have opened up again. But it didn’t. The walls closed in until Jenny could have touched irregular outcrops with her fingertips. The ceiling got lower and lower until it brushed Jenny’s hair. She gathered the flashlight and hammer in one hand so she could touch the cavern wall with the other. â€Å"Definitely not fiberglass,† she murmured. Not fiberglass but rock-and surprisingly beautiful rock. She could see veins of milky white and orange, the orange ranging from palest apricot to a rusty burnt sienna. It all sparkled with millions of infinitesimal pinpricks of quartz. â€Å"Ore,† Michael said. â€Å"You know, the kind gold comes in.† â€Å"This park was built on a coal mine,† Jenny said, â€Å"They mined coal everywhere around here-but that was back in the eighteen hundreds.† â€Å"Different kind of mine,† Michael said. â€Å"This is a real gold mine we’re in.† Rock was everywhere-very rough, maybe carved but looking natural because it was so irregular. It was like being in a castle, Jenny decided. And it was cold. She wished she hadn’t thrown her sweater away. Dee, a step ahead, was walking with her shoulders drawn in. Jenny could sympathize. She was beginning to feel the pressure of the rock around her-the solidity of it. They were in an endless buried shaft of orange and brown and black. When the first junction came, everyone stopped. â€Å"The tracks go straight,† Jenny said. She knew perfectly well that that didn’t mean anything. This wasn’t the split in the tracks they’d seen before. A long corridor simply stretched out into the darkness on one side. They followed the tracks straight ahead. The stripes of white on the walls got bigger and bigger the farther they went. It was damp, now, and the walls felt icy and dirty. When Jenny touched them, her fingers came away black. They came to a place where the roof opened into a sudden cavern-a horizontal shaft maybe thirty feet up. Jenny could see a vein of rust-colored rock at the top, and below that gray slate ridged and grooved as if water had flowed down it. â€Å"That shaft or cavern or whatever goes back a way,† Dee said. â€Å"We could maybe climb it. †¦Ã¢â‚¬  â€Å"Or maybe not,† Jenny said. She understood why Dee wanted to get out of the lower tunnel, but she didn’t like the look of that black hole up there. â€Å"We’d break our necks, and there could be anything-or anybody-up there.† Audrey said, â€Å"Well, it’s obvious that things are changing around us. I was wrong about the track, Dee.† Dee gave her a startled look. She wasn’t used to apologies from Audrey. Something cold struck Jenny’s cheek. She touched it and felt wetness-and then another drop on her hair. â€Å"Listen,† Michael said. At first Jenny didn’t hear anything. Then it came, the loneliest sound in the world. Water dripping musically onto rock-slow drops that seemed to echo through the deserted shafts. It sounded far away. â€Å"Oh, God,† Jenny whispered illogically, â€Å"we really are lost.† The lonely dripping brought it all home. They were trapped under tons of rock, in the dark, far from any help, and with no idea of where to go. Dee said, â€Å"Uh-oh,† and then stopped. â€Å"What? What?† â€Å"Well-I just remembered a nightmare I had once about a cave.† â€Å"It didn’t flood, did it?† Jenny asked, thinking of the miners in the scene on the train ride. â€Å"No. It just sort of collapsed.† Audrey said, â€Å"I don’t think we should be talking about this. Tu comprend?† She was right, of course. They shouldn’t be talking, or thinking, or anything. Blank minds were what they needed. But Jenny’s mind was out of control, following Dee’s words like a spark running down a fuse. â€Å"On you?† she said. â€Å"Did it collapse on you? Or were you just trapped-â€Å" That was as far as she got before the ground started to rumble. Only it wasn’t just the ground, it was the ceiling, the walls, everything. â€Å"Which way?† Dee cried, as good in a pinch as always, even if this was her nightmare. She swung her flashlight around, looking up and down the shaft. â€Å"Where’s it coming from?† Jenny saw rocks falling from the vertical shaft behind them. Michael’s flashlight was on the same thing. â€Å"Come on!† he shouted, starting the other way. â€Å"Come on! Come on!† â€Å"It’s all coming down!† Audrey shouted. â€Å"Come on! Come on!† Michael just kept yelling it, his voice higher and higher. The floor was rocking-like the tremor Jenny had felt earlier, only much, much bigger. She couldn’t see anything clearly. Flashlights were waving all over the place. â€Å"We can’t go that way-â€Å" â€Å"Watch out-the rock-â€Å" Above the shouting voices was the voice of the rock, a grinding, shuddering, smashing sound. Jenny was trying to run, bruising herself on outcrops that seemed to jump into her path. She was being thrown from side to side. â€Å"The floor-!† She heard Audrey’s shriek, but was too late to stop herself. There was a gap in the floor of the shaft, a vertical cavern down to another shaft. Small rocks were falling into it, and Jenny’s flashlight illuminated dust particles swirling madly in the air. Then she was falling, too. The first blow hurt, but after that she was in shock and just bounced off the outcrops numbly. She felt her fanny pack tear free. Her hammer and flashlight were already gone, along with the bota bag. Then she was rolling and sliding, part of an avalanche that carried her with it effortlessly. Then the noise and confusion receded and her mind went blank. She was alone, in complete darkness and utter silence. Her throat was full of choking dust. And she was terrified. Jenny knew this before she remembered who she was or how she’d gotten there. It was one of those terrible awakenings-like the kind she used to have in the middle of the night, when she jerked out of sleep knowing that something was out there in the dark, and that it was bad. And that in the daytime she would forget all about it again. The worst thing was that this wasn’t a dream. There was no bedside light to turn on, no parents to run to. Instead there was only darkness and the sound of her own breathing. â€Å"Dee!† The shout came out pathetically weak. And it didn’t echo properly. Jenny turned her face up but couldn’t feel the slightest air current. She was in an enclosed place. The rock must have blocked up the entrance she’d fallen through. â€Å"Dee! Audrey!† Oh, worse than pathetic. Her voice died out completely in the middle of â€Å"Michael!† Then she sat perfectly still, listening. If I don’t move, it won’t get me. That was ridiculous, of course. It only worked for monsters under the bed. But all her muscles were locked, so tense they were shaking. She couldn’t hear a sound. Not even a faint after-rumble from the cave-in. The darkness folded on itself around her. She felt herself begin to panic. Oh, please, no†¦ just keep calm, think of something †¦ but I’m scared. There must be some way out†¦ you can move around, see what this place is like. But she couldn’t. She couldn’t move. It was too dark. She could feel her eyes widening and widening, useless as the blind bumps on white cave fish. Anything could be out there-coming at me-from any direction †¦ The panic was now a riot. She was utterly terrified that she would hear a noise, a noise of something approaching in the blackness. But I fell in alone. This is a small place; I can feel it. I’m alone. Nothing’s here with me. Nothing can get in. Nothing – Rock scraped lightly on rock. Jenny twisted to face it, still kneeling. The faint sound was lost now because her heart was going like a trip-hammer and her ears were ringing with sheer terror. Oh, God- â€Å"Ragnarok,† said a musical voice, â€Å"means both a rain of dust and the end of the world. To the people who discovered the runes, I mean. Don’t you think that’s interesting?† Julian †¦Ã¢â‚¬  The sensation was exactly like falling down the mine shaft. Then she said sharply, â€Å"Where are you?† â€Å"Here.† Red light blossomed. Jenny tried, in the moment before her eyes adjusted, to brace herself. But she could never brace for Julian-he was as much a shock to her senses as ever. A beautiful shock, like a completely unexpected riff in a dull jazz piece. Like a picture you could pore over for hours and still find new and startling details in. Everything about him was so perfect and so perfectly outrageous that your eye darted from feature to feature in dazzled confusion. Just now the red light glinted off his hair like fire on snow. It turned his impossibly blue eyes to an equally impossible violet. It threw dancing shadows across the planes of his face, bringing into relief the sculpted beauty of his upper lip. It cast an unholy glow all around him-which was entirely appropriate, because Julian was as seductive as mortal sin and as haughty as the devil. He was wearing black like a second skin, pants and vest without a shirt. The red light came from the torch he was holding. How to cite The Forbidden Game: The Kill Chapter 5, Essay examples

Claude Debussy free essay sample

Claude Debussy was one of the greatest composers of impressionistic music and considered by many one of the greatest composers of all time. He had a genius mind and portrayed that through his music. He was a man of deep thoughts and showed great emotion through his music. â€Å"Although Debussy rarely appeared in public, only to perform, and left behind no pupils, it is clear that Debussy has many imitators (Debussyistes, as they were known), and his death was widely mourned throughout the musical world. Debussy’s works has influenced many new and modern music. The French composer Claude Debussy was born in 1862, the oldest out of five children. He died in 1918. Debussy was born in Saint-Germain-en-Laye, France. â€Å"He was born during the American Civil War and died a few months before the end of WWI, yet he is widely regarded as the first great composer of the 20th century† (Bonds). In the conservatory, his colleagues and referrers admired his musical talent, but were confused by his strange Innovation of music. This Is due to his rejection of the roll restraints on composition, which were the basic principles of music at the conservatory. In fact, his main goal was to create music that was completely new and unstudied at the time. He Unguent 1 @Unguent 2 expressed this in an essay in 1903, when he stated that Music ought therefore to free itself as quickly as possible from the from these little rituals with which the conservatories Insist on encumbering It.I dont believe that this liberation an be achieved by absorbing more and more elements from everyday life; music has a life of Its own that will always prevent It from being too precise. It says that everything that one cannot put into words; thus it is logical that to emphasize it is to diminish it (Brown 13). However, during his stay at the conservatory, he debatable met the most influential person of his career, Maddened Von Meek. At first, Maddened employed Debussy so that he might teach music to her children.However, Debussy received much more than a salary from this wealthy patroness. Through Maddened, Claude Debussy was able to be exposed to composers from all around Europe. HIS most notable influences were encountered when visiting Russia, where Debussy was bewildered by the exotic styles of of many Russian composers, especially Mussorgsky. Debussy greatly admired the great darkness and boldness of the block chords in his works. Mussorgsky free and imaginative style only enforced Debussy ideals and he yearned to convey similar ideals In his own work. Also, as with nearly every musical composer, Debussy drew Inspiration from famous musicians as well, such as Wolfgang Amadeus Mozart, Johann Bach, Franz List, and Frederic Chopin, but seemed to not be fond of the conflict-driven music of Beethoven (Altered 5). The influences of Bach and Mozart are supposedly impossible to specifically find in his works. Lists piano style was very bold, harmonic, and, Debussy favorite aspect, free. This is because List used the piano to personify water. In consequence, Lists style can easily distinguished In Debussy greatest à ©tudes and preludes.Debussy states that Chopin is the greatest of all, for with the piano alone he discovered everything. (Altered 8). However, Debussy was not picky in the artists he chose to listen to. This is shown in the influence of the third-tier composer, Jules Masseuse. From this composer, Debussy learned his elegant compactness of forms and cool lyricism (Altered 4). After obtaining the top prize in the PRI De Rome at the age of 22 Ninth his cantata Lenient prorogued, he used the funds to study the style of the German composer, Richard Wagner in Rome for two years.Wagner greatly influenced Debussy. Consequently there were traces of Wagers style in even the earliest of Debussy work, but Debussy claimed to have despised Wagers work later in life most likely due to his contradictory pride. Debussy unique style was influenced not only by musicians, but other genres of art and culture as well. During his attendance at the Paris World Exhibition in 1889, Debussy heard a Javanese gametal, which was an oriental influenced musical ensemble composed of a variety of bells, gongs, Xylophones, and occasionally accompanied with vocals.Absorbing the Eastern- Asian style of this new type of music, he incorporated the elements of the gametal into his rent style to produce a completely new sound in the following years. More specifically, his Artistes bullies prelude a leapers-midi d-UN fauna and his String Quartet were composed during these years and considered some if his early masterpieces (Debussy 1). Debussy was even intrigued by music from the medieval era, especially the church music known as organ.Although the use of old- fashioned melodic intervals was forbidden in the musical community of that time period, Debussy ignored this restriction, as he tended to do with most orthodox ideas, {Eugene 4 and used these intervals regularly. In fact, this style can be recognized in one of his most prestigious works, the La cathedral negligent, or The Engulfed Cathedral. By absorbing styles from all over Europe and even some in Asia, Debussy created a style that focused more on dissonance and uncommon scales, as opposed to the orthodox focus on the major and minor scale. This name of this style, while Ironically despised by Debussy, was called Impressionism. Also, analogous to the French painting style, it did not depict a clear picture and came focus more on suggestion of an atmosphere or story rather than a clear depiction of these themes. He era of impressionism, beginning in the sasss and ending near the sasss, did not last long, but it had a profound effect on art that still affects us even today. This term Nas coined not by musicians, but by painters. These painters included masters such as Van Gogh and Degas.They used impressionism to break free from the orthodox style of that time period, which was merely a contest to create the most realistic art. Impressionism was the opposite of this. Using blurred colors, lines, and faces, the paintings created merely created an impression for the viewer rather than a finite scene, thus allowing the viewer to see the art from his or her own perspective. Focusing more on moving scenery than stationary portraits, Van Gogh prevalently used this style in his most famous masterpiece, Starry Night. On the musical side of Impressionism, the style held the same concepts of freedom and undefined themes.Regarding instruments, musical Impressionism favored the orchestra for its color and the piano for its ability to hold vibrating melodies mid-air. However, even with the seemingly unlimited freedom of this style, there were still composition. These styles were modal influences, whole-tone scales, pentatonic Unguent 5 scale, impressionist harmony, parallel motion, and escaped chords. Whole- tone scales were greatly influenced medieval themes of primary intervals, which were used to break free from the rigid standards of the major and minor sounds. Debussy obtained this aspect from the organ of the medieval time period. Whole-tone scales originated not from Europe, but from Eastern- Asia. This characteristic divided the octave into equal major or minor systems and created an obscured fluidity. Debussy obtained this component when he heard the previously mentioned Javanese gametal. Pentatonic scales were five-note scales that were comprised of black keys. This attribute is associated with Chinese music and Scottish, Irish, and English folk tunes. Impressionist Harmony is more of a style than a technique. It is simply the releasing of the chord from its function as harmony to movement within the melody. Parallel motion was considered forbidden during the Classical era, as it was contradictory to the very core of the Classical era, which was to move tones in a contrary fashion. Parallel motion moved tones together, so the tones would always move together and be the same distance apart at all times. Escaped Chords have no proper definition. They can best be described as chords that are never resolved or used as the resolution.There are several other characteristics that can be named, but they are much too vague. These include the vagueness of rhythm or ever-present fragmented phrases (Usable 1). As a person, Debussy personality was extremely compatible with his style. As with most Impressionist composers, Debussy was a dreamer, always wanting to break free from the chains of orthodox music. Physically, Debussy was often described to be catlike, but not so lean, as he did physically little hat was more than compose. In fact he was a cat-lover in person, as well as a hedonist who was quite the Bohemian and cafe-gore.Debussy was rarely financially {Eugene 6 stable as a consequence of his impoverished heritage and associating Ninth the risky business of such unorthodox music. Regardless, he was recognized as the prevalent composer of the Impressionist era by the sasss. However, Debussy was not Just a composing recluse. Debussy married Lily Dexter, but when she was left behind for Emma Abroad, she successfully committed suicide. However, Debussy moved on and quickly married Abroad. Together they had a single daughter whom provided Debussy with much Joy.At the end of Debussy incredibly successful life, he succumbed to colon cancer at the age of 55 on March 25, 1918 in Paris, Italy. There are many great composers in history, but never one that went against music theory as much as Debussy. By not conforming to the pressure of the music community, critics, and even his peers, he revolutionized music in the same way that only the masters of history had done. It is true that he did not revolutionize a country, but his feat is no less amazing. It is Just as true that he may not be as well-known as Mozart.